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John Lennon

The Life Of John Lennon

Friday, 8 December, 2000, BBC News

John Winston Lennon was born in Liverpool on October 9, 1940, the only child of Fred and Julia Lennon. His parents split when he was a toddler and he was raised by his aunt, Mary Smith. But he remained close to Julia, who encouraged him to learn the banjo, later switching to guitar. Tragedy struck when John was 17, when Julia was struck and killed by a car.

His first band was a skiffle group called The Quarrymen, named after his school, Quarry Bank High. A 15-year-old Paul McCartney joined in 1957, followed by George Harrison a year later.

After leaving school, John went to art college in Liverpool, where he met fellow student Stuart Sutcliffe.

Success first started at home for The Beatles Sutcliffe joined the group on bass, and with new drummer Pete Best and a new name, The Beatles, they secured a residency in Hamburg.

The group honed their skills playing wild, all-night concerts in the city’s notorious red light district.

Sutcliffe left in 1961 to concentrate on painting – but died shortly afterwards of a brain haemorrhage, an event which deeply affected Lennon.

Back in Liverpool, The Beatles swiftly gained a following and local businessman Brian Epstein became their manager.

After being famously turned down by Decca, the group finally secured a recording contract with EMI, with Ringo Starr replacing Pete Best on drums.

The Beatles’ first appearance at JFK airport in New York First single Love Me Do reached a modest number 17, but follow-up Please Please Me topped the UK chart. Beatlemania was born.

In 1963, John and his new wife Cynthia had a son Julian while the group went from strength to strength with a string of Number One hits, conquering the US the following year.

By the mid-60s, The Beatles were the world’s biggest band, and Lennon & McCartney’s songwriting skills were developing at breathtaking speed.

With producer George Martin they expanded the parameters of pop music, achieving new levels of sophistication on the albums Rubber Soul and Revolver.

They gave up touring for good after Lennon said the Beatles were more popular than Jesus, and the band received death threats.

The Beatles’ career peaked in 1967 with the release of the psychedelic classic Sgt Pepper’s Lonely Hearts Club Band. But the same year saw Brian Epstein die of a drugs overdose.

The 1969 “bed-in” for peace Lennon’s love life was also in turmoil and he finally left Cynthia for avant-garde artist Yoko Ono.

They married in 1969, shortly before embarking on their famous series of “bed-ins” aimed at spreading a message of world peace.

Relations within the Beatles were strained – despite the success of the White Album – and 1970 saw them split.

By this time, Lennon’s solo career was well under way after the release of his Unfinished Music records with Yoko, and the Plastic Ono Band’s Cold Turkey – which described the pain of heroin withdrawal.

The couple became involved in politics John and Yoko became immersed in political causes, and Lennon performed Instant Karma on Top of The Pops with cropped hair as an anti-war protest.

1971 was his most productive year as he moved to New York and released the acclaimed solo albums Plastic Ono Band and Imagine.

Plastic Ono Band featured Working Class Hero and Mother, which saw him scream out for his late parent – a world away from his Beatles work.

Imagine’s title track became synonymous with him after his death, while it also contained a bitter attack on Paul McCartney (How Do You Sleep?) and Jealous Guy, which was overlooked until Bryan Ferry’s 1980s cover version.

Lennon’s 1973 album, Mind Games, explored the problems he was having with Yoko, and the couple split for a time, with him going to Los Angeles on a drugs and alcohol binge. They were reunited after a concert appearance with Elton John in November 1974.

The couple had a son, Sean, and John took a five-year break to raise him. In 1980 he, returned with the album Double Fantasy, which went to number one in countries around the world.

He appeared to be set for a period of unprecedented creativity – but his life was cut short outside his home at the Dakota building, near Central Park.

Lennon was survived by Yoko, Sean, and Julian, his son from his marriage to Cynthia.

His assassin, had an application for parole turned down in October 2000.

Categories
John Lennon

John Lennon Discography And Song Lyrics

by John Lennon

Albums

Unfinished Music No. 1: Two Virgins (November 1968)
Unfinished Music No. 2: Life With the Lions (May 1969)
Wedding Album (October 1969)
The Plastic Ono Band – Live Peace in Toronto (December 1969)
John Lennon – Plastic Ono Band (December 1970)
Imagine (September 1971)
Some Time in New York City (June 1972)
Mind Games (November 1973)
Walls and Bridges (September 1974)
Rock’n’Roll (February 1975)
Shaved Fish (October 1975)
Double Fantasy (November 1980)
The John Lennon Collection (November 1982)
Milk and Honey (January 1984)
Live in New York City (January 1986)
Menlove Avenue (October 1986)
Imagine: John Lennon (Music From the Movie) (October 1988)
Lennon 4 CD Boxed Set (October 1990)
Lennon Legend: the Very Best of John Lennon (January 1998)
John Lennon Anthology (4 CD Boxed Set) (November 1998)
Wonsaponatime (November 1998)

Singles

Give Peace a Chance / Remember Love (July 7, 1969)
Cold Turkey / Don’t Worry Kyoko (October 20, 1969)
Instant Karma! / Who Has Seen the Wind? (February 20, 1970)
Mother / Why (December 28, 1970)
Power to the People / Touch Me (March 22, 1971)
Imagine / It’s So Hard (October 11, 1971)
Happy Xmas (War is Over) / Listen, the Snow is Falling (Dec.1, 1971)
Woman is the Nigger of the World / Sisters, O Sisters (April 24, 1972)
Mind Games / Meat City (October 29, 1973)
Mind Games / Bring On The Lucie (Freeda Peeple) (1973)
Whatever Gets You Thru the Night / Beef Jerky (September 23, 1974)
# 9 Dream / What You Got (December 16, 1974)
Stand By Me / Mover Over Ms. L (March 10, 1975)
Stand By Me / Woman is the Nigger of the World (April 4, 1977)
(Just Like) Starting Over / Kiss Kiss Kiss (October 17, 1980)
Woman / Beautiful Boys (January 5, 1981)
Watching the Wheels / Yes, I’m Your Angel (March 16, 1981)
(Just Like) Starting Over / Woman (July 6, 1981)
Watching the Wheels / Beautiful Boy (November 9, 1981)
Happy Xmas (War is Over) / Beautiful Boy (Nov. 29, 1982)
Nobody Told Me / O’ Sanity (January 5, 1984)
I’m Stepping out / Sleepless Night (March 15, 1984)
Borrowed Time / Your Hands (May 11, 1984)
Every Man Has a Woman Who Loves Him / It’s Alright (Sept.13 ’84)
Jealous Guy / Give Peace a Chance (October 3, 1988)
Nobody Told Me / I’m Stepping out (October 15, 1988)

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John Lennon

Clear Channel Bans John Lennon’s “Imagine”

By Dave Marsh. September 19, 2001

War…What Is It Good For? ABSOLUTELY NOTHIN’!

Clear Channel radio network issuing a list of 150 “questionable” (i.e., banned) songs to its multitude of programmers in the wake of the terror attacks is far less remarkable than the response to it.

I don’t mean Clear Channel’s insistence that the list represents nothing more than “guidelines.” The company’s stations being among the most stupidly programmed in history, how many times a decade do you figure they play “Disco Inferno” or “Dead Man’s Curve” under any circumstances?

Two other things are what grabbed people’s attention. First, the way the list lumped together songs that might genuinely hurt or enrage somebody-Third Eye Blind’s “Jumper,” Filter’s “Hey Man, Nice Shot”–with songs that might even be healing: “Enter Sandman,” “”My City Was Gone,” “Morning Has Broken,” “Rescue Me.” If you suspect the people who program the radio are by-and-large morons, here’s proof.

Second is the ideological nature of the list. Rage Against the Machine is banned in its entirety; the only act so honored. Forbidden are “War” in either the Springsteen or Edwin Starr version, Cat Stevens’s “Peace Train,” Black Sabbath’s “War Pigs,” and John Lennon’s “Imagine.” How they forgot either Pearl Jam or Bob Dylan’s version of “Masters of War” is hard to figure.

I suspect it is this political aspect of the potential ban that really fascinates. After all, it is the beginning of what we would expect in war time. And since few of us have ever lived in the U.S. in an actual war, we don’t know what to expect.

We’re not about to be given the time to figure it out, either. The reasons for the terror attack and the options for response need open debate. Instead, we have a stampede. Of the 535 members of Congress, only brave Barbara Lee of Oakland, CA refused to sign the blank check giving the Bush administration the right to tear off in any direction it wants to, using any degree of force. The barrage of propaganda that makes this seem inevitable is so ceaseless that I’d rather watch reruns of the previous nadir of Western civilization, Seinfeld.

Listening to antiwar music-or even “action” stuff like “Another Bites the Dust” or “Some Heads are Gonna Roll,” both on the list-would cause people to reflect. Which might lead to wondering why we are just going to do as we are told by the same people who created the mess that led to the attacks and the total lack of readiness for them.

That there ought to be some response to the terror bombings is entirely obvious. That our options are exclusively military, that we need to rush into who knows what kind of war against who knows what and who knows where, and surrender fundamental civil liberties in the process, without changing a single other aspect of our foreign or domestic policy, is anything but obvious-if you stop to think. We haven’t been given much chance to do that-the Clear Channel list, whether it’s put into effect or not, gives us a chance to do that.

To think thoughts that are not approved. It is this that the government and the corporations really fear about popular music. And should.

Dave Marsh is the editor of Rock and Rap Confidential.

Source: http://www.counterpunch.org/marshwar.html